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FFmpeg is frequently used by different studios for encoding their media, however the documentation for ffmpeg is often poor, or cryptic so its often harder than it should be to come up with a good starting point. We are aiming to come up with recommendations for different scenarios as well as document what the different flags are doing with the aim to make this easier to get to a good baseline.

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NameSourceffmpeg flagsDescriptionSize
colorspace_yuv444p10lehttps://trac.ffmpeg.org/wiki/colorspace-c:v libx264 -preset placebo -qp 0 -x264-params "keyint=15:no-deblock=1" -pix_fmt yuv444p10le -sws_flags spline+accurate_rnd+full_chroma_int -vf "colorspace=bt709:iall=bt601-6-625:fast=1" -color_range 1 -colorspace 1 -color_primaries 1 -color_trc 1

Prores 4444
-c:v prores_ks -profile:v 4444 -qscale:v 1 -pix_fmt yuv444p10le -sws_flags spline+accurate_rnd+full_chroma_int -vf "colorspace=bt709:iall=bt601-6-625:fast=1" -color_range 1 -colorspace 1 -color_primaries 1 -color_trc 1

-profile:v 4444 is equivalent to -profile:v 4
shotgun_diy_encodehttps://support.shotgunsoftware.com/hc/en-us/articles/219030418-Do-it-yourself-DIY-transcoding',-vcodec libx264 -pix_fmt yuv420p -g 30 -vprofile high -bf 0 -crf 2

Prores 422 HQSome FFMpeg commands I need to remember for converting footage for video editing. http://bit.ly/vidsnippets · GitHub

-pix_fmt yuv422p10le -c:v prores_ks -profile:v 3 -vendor ap10 -sws_flags spline+accurate_rnd+full_chroma_int -vf "colorspace=bt709:iall=bt601-6-625:fast=1" -color_range 1 -colorspace 1 -color_primaries 1 -color_trc 1



Note the -vendor ap10 part below is only needed if working with Final Cut, but it does no harm otherwise.

-profile:v 3 is equivalent to -profile:v hq


VMAF

I did explore using VMAF - Video Multi-Method Assessment Fusion as a way to quantify the compression, the notes for setting this up are below, however I think we are going with a fairly high compression factor , so I think this is probably not really going to help us much.

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Most windows laptops and most monitors typically default to a sRGB color space, the tricky part is that sRGB is sometimes interpreted as having exactly a 2.2 gamma, and sometimes a hybrid curve (based on the spec), for more details on this, see:

Widget Connector
width300
urlhttps://vimeo.com/442069591


Questions to be answered:

  • On windows do any of the browsers read the color management settings flags for each monitor?
  • Why does everybody set -color_trc 1 ? - it seems completely meaningless?
  • Find the details about the firefox plugin for color management?
  • What do ICC profiles for stills do on windows/linux boxes? - Are there situations where this is replicated for movies.

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using the flags "-color_trc 2 -movflags write_colr+write_gama -mov_gamma 2.4" but this only works for a full quicktime file, not a mp4 file. So the resulting file will not play correctly on windows.

 -color_trc 2    – means the transfer function is unspecified.

-movflags write_colr+write_gama -mov_gamma 2.4  – allows you to specify a gamma parameter directly to the quicktime file.

e.g.

ffmpeg -y -i chip-chart-1080.png -c:v libx264 -pix_fmt yuv444p -qscale:v 1 -sws_flags spline+accurate_rnd+full_chroma_int -vf "colorspace=bt709:iall=bt601-6-625:fast=1" -color_range 1 -colorspace 1 -color_primaries 1 -color_trc 2 -movflags write_colr+write_gama -mov_gamma 2.4 test2-h264-ffmpeg-yuv444p-gamma24.mp4

Full range vs. legal range

Typically x264 (and other codecs) are following the video standard that lumance is scaled to the range 16-235. This has a history from early signaling where 236-255 were used for signaling and 0-15 to avoid any noise in the low end (some of the logic was derived from analog video) (TODO find reference). 

However, that means that when we do the conversion, we can end up with 235-16 = 219 lumance values, rather than 255 (14% less levels). This is actually supported in web browsers, e.g.:


https://github.com/bbc/qtff-parameter-editor